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Outer Banks Community Theatre
10/20/2017 @ 7:00 pm - 10/29/2017 @ 12:00 am
Theatre of Dare Presents Outer Banks Community Theatre group is comprised of professionals all the way down to people that just plain love the theatre and want to perform on the stage.
The Great American Trailer Park Musical Performances: October 20-29, 2017
Directed by Lara Parks
From the production team that brought you Spamalot, another hilarious, rip-roaring musical! There’s a new tenant at Armadillo Acres—and she’s wreaking havoc all over Florida’s most exclusive trailer park. When Pippi, the stripper on the run, comes between the Dr. Phil–loving, agoraphobic Jeannie and her tollbooth collector husband—the storms begin to brew.
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ALMOST, MAINE Performances: February 2-11, 2018
Written by John Cariani
Directed by Jimmie Lee Brooks III
Welcome to Almost, Maine, a town that’s so far north, it’s almost not in the United States—it’s almost in Canada. And it almost doesn’t exist. Because its residents never got around to getting organized. So it’s just…Almost. One cold, clear Friday night in the middle of winter, while the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in the strangest ways. Knees are bruised. Hearts are broken. Love is lost, found, and confounded. And life for the people of Almost, Maine will never be the same.
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CABARET Performances: March 16-25, 2018
Written by Joe Masteroff, John Kander, and Fred Ebb
Directed by Gail Huchison
Set in 1931 Berlin as the Nazis are rising to power, Cabaret is an award-winning musical based in nightlife at the seedy Kit Kat Klub, and revolves around young American writer Cliff Bradshaw and his relationship with 32-year-old English cabaret performer Sally Bowles.
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LOVE, SEX, AND THE IRS Performances: April 20-29, 2018
Written by Billy Van Zandt and Jane Milmore
Jon Trachtman and Leslie Arthur are out of work musicians who room together in New York City. To save money, Jon has been filing tax returns listing the pair as married. The day of reckoning comes when the Internal Revenue Service informs the “couple” they’re going to be investigated. Leslie masquerades as a housewife, aided by Jon’s fiancee, Kate. Complicating matters further Leslie and Kate are having an affair behind Jon’s back, Jon’s mother drops in unexpectedly to meet her son’s fiancee, and Leslie’s ex girlfriend shows up demanding to know why Leslie has changed and won’t see her anymore.
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